Selected Works

Peter Halley was born in 1953, in New York City.

Halley is an American artist and a central figure in in the Neo-Conceptualist movement of the 1980’s. Known for his Day-Glo geometric paintings, Halley is also regarded as a writer, the former publisher of index Magazine, and a teacher, having served as Director of Graduate Studies in Painting and Printmaking at the Yale University School of Art from 2002 to 2011.

Halley began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971.  In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley moved to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year.

In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint.

By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum.

In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day was installed in the Palazzo Bembo in Venice as a part of the exhibition Personal Structures during the Venice Biennale. Halley has taught at the School of Visual Arts, New York; the University of California, Los Angeles; and Columbia University. He subsequently served as the Director of Graduate Studies in Painting and Printmaking at the Yale University School of Art from 2002 to 2011. From 1996 to 2006 he also published index magazine. Halley lives and works in New York.