Italian, b. 1976
In Annalù Boeretto’s practice, an oxymoron exists: a sculpture imposes itself in three dimensions yet seems absolutely, incontrovertibly liquid. Using resin, what she focuses on is the moment of transition from one state to another, through a dynamic equilibrium sharing an attitude very close to alchemical science. The work tells of an expanded time in which the shape has the value of a mandala.